Welcome to my website !

An extensive virtual collection of interesting stuff...



When Harry Met Sally... is a 1989 romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years or so of chance encounters in New York City. The film raises the question "Can men and women ever just be friends?" and advances many ideas about love that have become household concepts now, such as the "high-maintenance" girlfriend and the "transitional person".

The origins of the film came from Reiner's return to single life after a divorce. Ephron interviewed Reiner and it provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick, Jr., with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance.

Harry and SallyColumbia Pictures released the film using the "platform" technique, which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. When Harry Met Sally... grossed a total of US$92 million in North America, well above its $16 million budget. Ephron received a British Academy Film Award, an Oscar nomination, and a Writers Guild of America Award nomination for her screenplay. The film is 23rd on AFI's 100 Years... 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies". In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan.

 

Plot

In 1977, Harry Burns and Sally Albright finish college at the University of Chicago and meet when both need someone to share the drive to New York City, where Harry is starting grad school and Sally is beginning a career. At the time, Harry is dating a friend of Sally's, and film soon presents their differing ideas about relationships between men and women. It is Harry's view that, "Men and women can't be friends because the sex part always gets in the way." Sally disagrees, claiming that men and women can be strictly friends without sex. This argument becomes the film's underlying theme. On the way, at a stop in a diner, Sally is angered when Harry tells her she is attractive; she accuses him of making a pass at her. In New York, due to their divergent philosophies, they part on less than friendly terms.

Five years later, they meet in a New York airport and find themselves on the same plane. Both are in relationships; Sally has just started dating a man named Joe, and Harry is engaged to a woman named Helen, which surprises Sally. Harry suggests they become friends, forcing him to elaborate on his previous rule about male-female friendships; they can never be friends because sex will always be in their way spoiling it. They separate concluding that they will not be friends.

Harry and Sally meet yet again five years later, in a New York bookstore. They have coffee together and talk about their previous relationships, which have ended. After leaving the café, they take a walk and decide to be friends. In subsequent scenes, they have late-night phone conversations, go to dinner, and spend a lot of time together. Their dating experiences with others continue to highlight their different approaches to relationships and sex.

During a New Year's Eve party Harry and Sally find themselves attracted to each other. Though they remain friends, they set each other up with their respective best friends, Marie and Jess. The four go to a restaurant, where Marie and Jess hit it off; they ultimately get engaged. One night, Sally tearfully tells Harry over the phone that her ex, Joe, is getting married, and he rushes to her apartment to comfort her. They unexpectedly have sex that night, resulting in an awkward moment next morning as Harry quickly leaves in a state of distress. This creates tension in their relationship, and the two have a heated argument during Jess and Marie's wedding dinner. Their friendship cools for three weeks.

Then, at a New Year's Eve party that year, Sally feels alone without Harry by her side. As she decides to leave the party early, Harry appears and declares his love for her; they make up and kiss. In the last segment, in which couples discuss their relationship histories, Harry and Sally are the last interviewed -- they have gotten married.

Cast

  • Meg Ryan - Sally Albright
  • Billy Crystal - Harry Burns
  • Carrie Fisher - Marie
  • Bruno Kirby - Jess
  • Steven Ford - Joe

Star Bios

Meg Ryan (Sally)Meg Ryan was born on November 19, 1961, in Fairfield, CT. Her climb toward stardom began with a solid supporting role in Top Gun (1986), and continued with Innerspace (1987), D.O.A., Promised Land, and as Sean Connery's daughter in The Presidio (all 1988). But Sally Albright was the part that put her over the top. She has had other successes, both comedic and dramatic (notably as Jim Morrison's drugged-out girlfriend in Oliver Stone's The Doors, 1991), but audiences all around the world seem to like Meg best in romantic comedy, as was shown by the enormous success of Sleepless In Seattle (1993), where she starred opposite Tom Hanks. In 1994, she turned in a bravura performance as an alcoholic in When A Man Loves A Woman, before returning to comedy with I.Q. (1994) and French Kiss (1995). In the animated Anastasia (1997), she dubbed the title heroine. She then co-starred with Nicholas Cage in City Of Angels (1998). One of her most recent projects, You've Got Mail, once again united her with her Sleepless buddies Tom Hanks and director Nora Ephron. - In 1991, she married longtime boyfriend Dennis Quaid, whom she met on the set of Innerspace.

Billy Chrystal (Harry)Billy Crystal was born on March 14, 1947, in Long Beach, NY. He started out as a stand-up comedian and was seen in several TV parts, but it was the 1984-85 season of Saturday Night Live that made him a star. After that, he won bigger parts in movies, like that of a wise-cracking cop in Running Scared (1986, directed by Peter Hyams) and as a tormented writing teacher in Throw Momma From The Train (1987). After his classic performance in When Harry Met Sally ..., he made audiences laugh once more when he played Mitch Robbins, an ad-man suffering his midlife crisis, in City Slickers (1991). Mr. Saturday Night (1992), which was also his first effort at directing, drew on Billy's fascination with show business. In 1994, he was lured to do City Slickers II: The Legend Of Curly's Gold, which was standard sequel fare. In 1995, he co-wrote and directed himself and Debra Winger in the delightful Forget Paris. Ivan Reitman's Father's Day (1997) provided the opportunity to work with his long time buddy, Robin Williams. Billy has also won plaudits (as well as several Emmy awards and nominations) as the quick-witted host of the Academy Awards (1990-1993, 1997-1998). His best picture medley, performed at the beginning of the ceremony, is a much-loved highlight of the whole show.

Production

Rob Reiner (director)

In 1984, director Rob Reiner, producer Andy Scheinman and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project. Reiner pitched an idea for a film that Ephron rejected. The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, "I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another". The next time they all met Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway. Ephron liked the idea, and Reiner acquired a deal at a studio.

She then proceeded to interview Reiner and Scheinman about their lives in order to have material on which to draw. These interviews also provided the basis for Harry. Reiner was constantly depressed, pessimistic yet very funny. Ephron also got bits of dialogue from these interviews. Sally was based on Ephron and some of her friends. She worked on several drafts over the years while Reiner made Stand By Me and The Princess Bride. Billy Crystal came on board when the project was called Boy Meets Girl and made his own contributions to the screenplay, making Harry funnier. The comedian "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedienne/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry.

During the screenwriting process when Ephron would not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met, although the material was rewritten and reshot with real actors. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. For example, in the scene where Sally and Harry appear on a split screen, talking on the telephone while watching their respective television sets, channel surfing, was something that Crystal and Reiner did every night.

Originally, Ephron wanted to call the film, How They Met and went through several different titles. Reiner even started a contest with the crew during principal photography - whoever came up with the title won a case of champagne. In order to get into the lonely mindset of Harry when he was divorced and single, Crystal stayed by himself in a separate room from the cast and crew while they were shooting in Manhattan. The script initially ended with Harry and Sally remaining friends and not pursuing a romantic relationship because she felt that was "the true ending", as did Reiner. Eventually, Ephron and Reiner realized that it would be a more appropriate ending for them to marry, though they admit that this is generally not a realistic outcome.

When posed the film's central question, can men and women just be friends, Ryan replied, "Yes, men and women can just be friends. I have a lot of platonic (male) friends, and sex doesn't get in the way." Crystal said, "I'm a little more optimistic than Harry. But I think it is difficult. Men basically act like stray dogs in front of a supermarket. I do have platonic (women) friends, but not best, best, best friends."

Rob Reiner initially envisioned actress Susan Dey for the role of Sally Albright. When she declined, he later considered Elizabeth Perkins. He also considered to cast Elizabeth McGovern. Molly Ringwald was almost cast, but Meg Ryan convinced Reiner to give her the role.

The fake orgasmAt Katz's DeliDeli scene

The film may be best known for a scene featuring the two title characters having lunch at Katz's Deli in Manhattan. They are arguing about a man's ability to recognize when a woman is faking an orgasm. Sally claims men cannot tell the difference, and to prove her point, she vividly (but fully clothed) fakes one as other diners watch. The scene ends with Sally casually returning to her meal as a nearby patron (played by Reiner's mother) places her order: "I'll have what she's having." This scene was shot again and again, and Ryan demonstrated her fake orgasms for hours.

This classic scene was born when the film started to focus too much on Harry. Crystal remembers saying, "'We need something for Sally to talk about,' and Nora said, 'Well, faking orgasm is a great one,' and right away we said, 'Well, the subject is good,' and then Meg came on board and we talked with her about the nature of the idea and she said, 'Well, why don't I just fake one, just do one?'" Ryan suggested that the scene take place in a restaurant and it was Crystal who came up with the scene's classic punchline – "I'll have what she's having." In 2005, the quote was listed 33rd on the AFI's 100 Years... 100 Movie Quotes list of memorable movie lines. Reiner recalls that at a test screening, all of the women in the audience were laughing while all of the men were silent.

Soundtrack

The When Harry Met Sally... soundtrack album features American singer and pianist Harry Connick, Jr.. Bobby Colomby, the drummer for Blood, Sweat & Tears was a friend of Reiner's and recommended Harry Connick, Jr., giving the director a tape of the musician's music. Reiner was struck by Connick's voice and how it sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick, Jr., with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance.

Arrangements and orchestrations on "It Had to Be You", "Where or When", "I Could Write a Book", and "But Not for Me" are by Connick and Shaiman. Other songs were performed as piano/vocal solos, or with Connick's trio featuring Benjamin Jonah Wolfe on bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Joy Berliner. The soundtrack went to #1 on the Billboard Traditional Jazz Chart and was within the top 50 on the Billboard 200. Connick also toured North America in support of this album. It went on to reach double-platinum status.

The music in the film, is performed by various artists, such as Louis Armstrong and Ella Fitzgerald, Frank Sinatra, Ray Charles, Bing Crosby and Harry Connick, Jr..

Box office

Columbia Pictures released the film using the "platform" technique which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. On its opening weekend, it grossed $1 million in 41 theaters. Billy Crystal was worried that the film would flop at the box office because it was up against several summer blockbuster films, like Indiana Jones and the Last Crusade and Batman. The film went into wide release on July 21, 1989, and grossed $8.8 million on its opening weekend in 775 theaters. This was later expanded to 1,174 theaters and the film grossed a total of $92.8 million in North America, well above its $16 million budget.

Reviews

Reviews for When Harry Met Sally... were mostly positive. It has a rating of 95% on Rotten Tomatoes (100% for their "Cream of the Crop" designation) and a 76 metascore on Metacritic. The film led Roger Ebert to call Reiner "one of Hollywood's very best directors of comedy", and said that it was "most conventional, in terms of structure and the way it fulfills our expectations. But what makes it special, apart from the Ephron screenplay, is the chemistry between Crystal and Ryan." In a review for The New York Times, Caryn James called When Harry Met Sally... an "often funny but amazingly hollow film" that "romanticized lives of intelligent, successful, neurotic New Yorkers"; James characterized it as "the sitcom version of a Woody Allen film, full of amusing lines and scenes, all infused with an uncomfortable sense of déjà vu".

Rita Kempley's review in the Washington Post praised Meg Ryan as the "summer's Melanie Griffith – a honey-haired blonde who finally finds a showcase for her sheer exuberance. Neither naif nor vamp, she's a woman from a pen of a woman, not some Cinderella of a Working Girl." Mike Clark, of USA Today, gave the film three out of four stars, writing, "Crystal is funny enough to keep Ryan from all-out stealing the film. She, though, is smashing in an eye-opening performance, another tribute to Reiner's flair with actors." David Ansen provided one of the rare negative reviews of the film for Newsweek. He criticized the casting of Crystal, "Not surprisingly he handles the comedy superbly, but he's too cool and self-protective an actor to work as a romantic leading man", and felt that as a film, "of wonderful parts, it doesn't quite add up".

Awards

Nora Ephron received an Oscar nomination and a Writers Guild of America Award nomination for her screenplay. She won a British Academy Film Award for Best Original Screenplay and was nominated for Best Film. The film was also nominated for five Golden Globes, including Best Motion Picture – Musical or Comedy, Reiner for Best Director – Motion Picture, Billy Crystal for Best Actor – Motion Picture Musical or Comedy, Meg Ryan for Best Actress – Motion Picture Musical or Comedy, and Nora Ephron for Best Screenplay.

Legacy

Over the years, When Harry Met Sally... has become, "the quintessential contemporary feel-good relationship movie that somehow still rings true". Ephron still receives letters from people obsessed with the film and still has "people who say to me all the time, `I was having a Harry-and-Sally relationship with him or her'." The film is 23rd on AFI's 100 Years... 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies." Entertainment Weekly named it as one of the Top 10 romantic movies of all time. The magazine also ranked it 12th on their Funniest Movies of the Past 25 Years list. The periodical also ranked it 7th on their 25 Best Romantic Movies of the Past 25 Years list and #3 on their Top 25 Modern Romances list. The film has inspired countless romantic comedies, including Brown Sugar, A Lot Like Love, Hum Tum and Definitely, Maybe. In addition, the film helped popularize many ideas about love that have become household concepts now, such as the "high-maintenance" girlfriend and the "transitional person".

In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. When Harry Met Sally was acknowledged as the sixth best film in the romantic comedy genre. It is also ranked #15 on Rotten Tomatoes' 25 Best Romantic Comedies.

In early 2004, the film was adapted for the stage in a Theatre Royal Haymarket production starring Luke Perry and Alyson Hannigan.[37] Molly Ringwald and Michael Landes later replaced Hannigan and Perry for the second cast.

American Film Institute recognition

  • 2000: AFI's 100 Years... 100 Laughs - #23
  • 2002: AFI's 100 Years... 100 Passions - #25
  • 2004: AFI's 100 Years... 100 Songs - #60
    • "It Had to Be You
  • 2005: AFI's 100 Years... 100 Movie Quotes - #33
    • "I'll have what she's having."
  • 2008: AFI's 10 Top 10 - #6 romantic comedy

DVD

When Harry Met Sally... was released on DVD January 9, 2001, and included an audio commentary by Reiner, 35-minute "Making Of" documentary featuring interviews with Reiner, Ephron, Ryan, and Crystal, seven deleted scenes, and a music video for "It Had To Be You" by Harry Connick, Jr. A Collector's Edition DVD was released on January 15, 2008, including a new audio commentary with Reiner, Ephron, and Crystal, eight deleted scenes, all new featurettes (It All Started Like This, Stories Of Love, When Rob Met Billy, Billy On Harry, I Love New York, What Harry Meeting Sally Meant, So Can Men And Women Really Be Friends?), and the original theatrical trailer.

Login Form